By Douglas Percy Bliss
Housed within the British Museum is a 1300-year-old chinese language manuscript with identical to Buddha drawn in flowing black traces. This, in line with A historical past of wooden Engraving, is the oldest identified woodcut and the place to begin for this vigorous historical past of the artwork shape. for centuries, wooden engraving used to be the first technique of illustrating books in France, Italy, and the Netherlands. within the 16th century, the German grasp Durer introduced engraving to new inventive heights. considering that then, rankings of precise originals have placed their very own stamp in this specified splendidly expressive shape. a regular within the field, A heritage of wooden Engraving offers any artwork lover a trove of eye-catching information—from engraving concepts, to artist biographies, to non-public commentary—all expertly defined via Douglas Percy Bliss, a popular painter and engraver in his personal correct. the writer strikes the tale all of the solution to glossy instances, with a last bankruptcy on contemporary masters and the way forward for engraving.
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Additional info for A History of Wood Engraving: The Original Edition
I found that I could get nearly perfect miters by tilting my jointer's fence to 45o and making a series of passesuntil the last passiust met the face of the leg, as shown in the bottom photo at left. After both legs of all four units were mitered this way, I used the tablesaw to rip the rabbet for the glass top in each apron. Becausethis rabbet will be visible through the glass,it had to be sanded carefully Before gluing up the leg-and-apron units, I also sanded all inside surfaces, starting with 120-grit paper and working up to 320-grit Joining ttre four leg'and-apron units Tbree clamps pull tbe miters together and preuent tbe pieces from slipping uben tbe leg-and-apron units are glued up.
I cut my joints before shaping a piece. so I can 1ayout from flat and square taces But for this table,the baseframework n as bar-idsas,nfrom large slabs and tem40 The Best of Fine \Vood,uorking plate-shapedto conservetimber. The only pieces that had straight reference edges were the top rails. For laying out joinery on the feet, I established a reference sr-rrface by extending a straightedge from the flat floor-contact area of the foot to the joint area A block between the straightedge and the foot's curved section (seethe top photo on the facing page) kept the straightedge positioned while I marked the joint lines with a try square.
Burbank, CA 9r5o4; (2r3) 849-3184. , 17-73 43rd. Road, Long Island City, NY 1 1 1 0 1 ;( 7 1 8 ) 7 a 4 - o 6 6 o . Ternplatesfor tbrougb-mortisq I connect the trestle base of my butterfly' leaf table to the upper assemblywith a through wedged mortise-and-tenon ioint, as shown in the photo below It's a challenge to lay out and cut this joint exactly where I want it, with tenons that fit tightly into their mortises. However, the simple ternplates shown in the drawings at right make lay out easy and ensure perfectfitting joints every time.